Photography

The several processes enumerated at the head of this chapter, are all discoveries of English philosophers, with the exception of the third and last named. Anthotype was first attempted by M. Ponton a French savan, although it was reserved to Mr. Hunt to bring the process to its present state. The "Crayon Daguerreotype" is an improvement made by J. A Whipple, Esq., of Boston.

So called from the circumstance of cyanogen in its combinations with iron performing a leading part in the process. It was discovered by Sir John Herschel. The process is a simple one, and the resulting pictures are blue.

Under this title a process has been brought forward by Mr. Hunt. It consists of the application of a solution of succinic acid to paper, which is subsequently washed over with nitrate of silver. The image is then to be taken either in the camera or otherwise, as required, and is brought out by the application of the sulphate of iron in solution. Although this process has not come into general use, its exact description may be interesting to the general reader, and we therefore subjoin it.

Many efforts have been made to render chromatic acid an active agent in the production of photographs. M. Ponton used a paper saturated with bichromate of potash, and this was one of the earliest photogenic processes. M. Becquerel improved upon this process by sizing the paper with starch previous to the application of the bichromate of potash solution, which enabled him to convert the negative picture into a positive one, by the use of a solution of iodine, which combined with that portion of the starch on which the light had not acted.

by Henry H. Snelling

The expressed juice, alcoholic, or watery infusion of flowers, or vegetable substances, may be made the media of photogenic action. This fact was first discovered by Sir John Herschel. We have already given a few examples of this in the third chapter.

It is necessary, first of all, to know that you have a chemical which is capable of producing good results when in skillful hands. For this reason it is best to prepare your own quick, after some formula which is known to be good. Those quick-stuffs which contain chloride of iodine are noted for their depth of tone while they probably operate with less uniformity than those which are destitute of it. For operating under ordinary circumstances, especially with an inferior light, probably no accelerator is more quick and sure than Wolcott's.

by Samuel D. Humphrey

First of all, cleanliness should be observed. When there is dust or dirt about your room, particularly about the work-bench, failures will be frequent; for the smallest particles of rotten-stone, when allowed to come in contact with the buffs, will produce scratches on the surface of the plate, which very much injures the operation, and often causes failures.

Dust flying about the room is injurious, if allowed to fall on the plate, either before or after it has been coated, as it causes black spots which cannot be removed.

Polishing the Daguerreotype Plate--Buffing the Plate--Coating the Plate--Exposure of the Plate in the Camera--Position--Developing the Daguerreotype--Exposure to Mercury--Removing the Coating--Gilding or fixing the Image--Coloring Daguerreotype.