Painting

Turning our attention first to movement—which, by the way, is not the same as motion, mere change of place—we find that we realise it just as we realise objects, by the stimulation of our tactile imagination, only that here touch retires to a second place before the muscular feelings of varying pressure and strain.

(TURNER)

JOHN RUSKIN

(VERONESE)

JOHN RUSKIN

(TINTORET)

JOHN RUSKIN

(ROSSETTI)

ALGERNON CHARLES SWINBURNE

(BOTTICELLI)

MARCEL REYMOND

(MICHAEL ANGELO)

ALEXANDRE DUMAS

(GUIDO RENI)

CHARLOTTE A. EATON

On the roof of the summer-house of the Palazzo Rospigliosi, is painted the celebrated fresco of Guido's Aurora. Its colouring is clear, harmonious, airy, brilliant—unfaded by time; and the enthusiastic admirer of Guido's genius may be permitted to hope that this, his noblest work, will be immortal as his fame.