Illumination

No. Name. Where Produced. Where Kept. Date. Remarks. 1 De arte venandi cum avibus Palermo Vat. Lib., Rome, palat. 1071 c. 1225 Composed by Emperor Frederick II. (1212-50). Paintings of birds and hunting scenes. 2 Offices, “ordo offic. Senensis” Gubbio Acad.

Early liturgical books reflect the ecclesiastical art of their time—This feature a continuous characteristic of illumination down to the latest times—Elements of Celtic ornament—Gospels of St. Chad—Durham Gospels—Contrast of Celtic and Byzantine—St. Columba—Book of Kells—Details of its decoration.

Barbaric character of Italian illumination in the twelfth century—Ravenna and Pavia the earliest centres of revival—The “Exultet”—La Cava and Monte Cassino—The writers of early Italian MSS.

The Iona Gospels—Contrast with Roman and Byzantine—Details—Treatment of animal forms—Colour schemes—The Gospel-book of St. Columbanus—That of Mael Brith Mac Durnan—The Lindisfarne Gospels—Cumdachs—Other book-shrines.

Frederick II., Stupor Mundi, and his MS. on hunting—The Sicilian school mainly Saracenic, but a mixture of Greek, Arabic, and Latin tastes—The Franconian Emperors at Bamberg—Charles of Anjou—The House of Luxembourg at Prag—MSS. in the University Library—The Collegium Carolinum of the Emperor Charles IV.—MSS. at Vienna—The Wenzel Bible—The Weltchronik of Rudolf v. Ems at Stuttgard—Wilhelm v.

No. Name. Where Produced. Where Kept. Date. Remarks. 1 Life of Manetti Florence Brit. Mus., Add. 9770 1506 Neat in execution. 2 Life of St. Francis „ Brit. Mus., Harl. 3229 c. 1505 Very fine illumination. 3 Eusebius „ Brit. Mus., Harl.

Visigothic—Merovingian—Lombardic—Extinction of classic art—Splendid reign of Dagobert—St. Eloy of Noyon—The Library of Laon—Natural History of Isidore of Seville—Elements of contemporary art—Details of ornament—Symbolism—Luxeuil and Monte Cassino—Sacramentary of Gellone—“Prudentius”—“Orosius”—Value of the Sacramentary of Gellone.

What is meant by the Netherlands—Early realism and study of nature—Combination of symbolism with imitation—Anachronism in design—The value of the pictorial methods of the old illuminators—The oldest Netherlandish MS.—Harlinda and Renilda—The nunnery at Maas-Eyck—Description of the MS.—Thomas à Kempis—The school of Zwolle—Character of the work—The use of green landscape backgrounds—The Dukes of Burgundy—Netherlandish artists—No miniatures of the Van Eycks or Memling known to exist—Schools of Bruges, Ghent, Liége, etc.—Brussels Library—Splendid Netherlandish MSS.

No. Name. Where Produced. Where Kept. Date. Remarks. 1 The “Versailles” Livy Tours Nat. Lib., Paris, 6907 ...... Attributed to Jehan Fouquet of Tours. 2 The “Sorbonne” Livy „ Nat. Lib., Paris, fds. Sorb.